We mostly perform our own original tunes. There’s the frontline of four fiddles accompanied by guitar, double bass and mandolin – and tight interplay between all the instruments. Frigg’s music is energetic fusion folk music from Finland with deep roots in the Kaustinen fiddle style and elements from Nordic, Celtic and American musical traditions. Shortly put: big fiddle sound with plucked strings accompaniment. What do you consider to be the essential elements of your music? The band’s mandolinist talked to us about Frigg’s background and the new recording. It then discusses some of the major changes in historical practice before outlining the three major themes that are explored by the various articles in this thematic issue – digitisation and the archive, digital historical analysis, and historical knowledge (re)presentation and audiences.Your Connection to traditional and contemporary World Music, including folk, roots, global music, ethno and crosscultural fusionsĮxtraordinary Finnish fiddle band Frigg is celebrating its 20th anniversary with yet another fantastic album titled FriXX. The article offers a short survey of history and computing since the 1960s with particular attention given to the situation in the Netherlands, considers various definitions of ‘digital history’ and argues for an integrative view of historical practice in the digital age that underscores hybridity as its main characteristic. This tendency towards technological determinism needs to be balanced by more attention to methodological and epistemological considerations. It argues that there is too much emphasis on tools and data while too little attention is being paid to how doing history in the digital age is changing as a result of the digital turn. This introduction is concerned with the changing practice of ‘doing’ history in the digital age, seen within a broader historical context of developments in the digital humanities and ‘digital history’. Through its combination of empirical, conceptual and contextual studies, Digital Histories is a timely and pioneering contribution taking stock of how digital research currently advances historical scholarship.ĭigital humanities seem to be omnipresent these days and the discipline of history is no exception. This also involves novel challenges that digital methods pose to historical research, including awareness of the pitfalls and limitations of the digital tools and the necessity of new forms of digital source criticisms. The volume argues that digital history is entering a mature phase, digital history ‘in action’, where its focus is shifting from the building of resources towards the making of new historical knowledge. The chapters apply an exemplary array of methods, such as digital metadata analysis, machine learning, network analysis, topic modelling, named entity recognition, collocation analysis, critical search, and text and data mining. The topics of the volume range from the medieval period to the present day, including various parts of Europe. information technology specialists – have uncovered new, empirical historical knowledge through digital and computational methods. It presents work by historians who – on their own or through collaborations with e.g. Digital Histories showcases this emerging wave of digital history research. All historians have experienced this change in one way or another, by writing on word processors, applying quantitative methods on digitalized source materials, or using internet resources and digital tools. Historical scholarship is currently undergoing a digital turn.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |